ARCHIVE +

2007

Speculative Data and the Creative Imaginary: Shared Visions between Art and Technology

Emergence 2007: UCSC DANM MFA Exhibition

Zach Blas: push the red button

2006

Natalie Jeremijenko: OOZ

2005

George Legrady: Making Visible the Invisible

Jennifer Steinkamp: Rapunzel

Victoria Vesna: Nanomandala

2004

Mark C. Marino: Labyrinth: The Rulebook without Game

Sharon Daniel: Proposal for an Improbable Monument to the end of the Prison Industrial Complex

Beatriz Da Costa: SWIPE

Amir Zaki: billboard project

Lev Manovich: Soft Cinema

Simon Penny: Fugitive II

2003

Victoria Vesna: NANO Exhibition

George Legrady: Pocket Full of Memories

George Legrady:
POCKET FULL OF MEMORIES

Media Arts & Technology Graduate Program
Department of Art Studio UCSB
legrady@arts.ucsb.edu

Conceived as an installation on the topic of the archive and memory, "Pockets Full of Memories" was exhibited on the main floor of the Centre Pompidou National Museum of Modern Art, Paris, France from April 10 to September 3, 2001. During this time, approximately 20000 visitors came to view the installation and contributed over 3300 objects in their possession, digitally scanning and describing them. This information was stored in a database and organized by the Kohonen self-organizing map algorithm that positioned objects of similar descriptions near each other in a two-dimensional map. The map of objects was projected in the gallery space and also accessible online where individuals in the gallery and at home could review the objects and add comments and stories to any of them.

PFOM integrates the real space environment of a museum installation with virtual access to the database through the internet. Visitors to the exhibition contribute visual and descriptive information to the digital archive about an object in their possession at the time of their visit. The data contribution takes place in the entrance area where the public interacts with a kiosk-like scanning station in a two-step process that consists of the scanning of the object followed by filling out an questionnaire through a touchscreen interface to describe its attributes. The image of the object and descriptive data are then stored in a database that grows throughout the duration of the exhibition. Presentation and access to the database occurs both online and in a large-scale projection in the gallery space of the museum.

For more information visit www.georgelegrady.com