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2007

Seven Years with the Traces Vision System
Simon Penny, UC Irvine

2005

Remixing and Remixability
Lev Manovich, UC San Diego
Abstract Play: Emotional Sequence Analysis and Improvisation by AI Player
Shlomo Dubnov, UC San Diego

2004

A System of Formal Notation for Scoring Works of Digital and Variable Media Art
Richard Rinehart, UC Berkeley
Palmistry
Patrick Deegan, UC San Diego

2003

Emergent Authorship
Celia Pearce, UC Irvine
The Digital We
Greg Niemeyer, UC Berkeley
Composing for atoms
Bob L. Sturm, UC Santa Barbara
Ghost Values
Fox Harrell, UC San Diego

Abstract Play: Emotional Sequence Analysis and Improvisation by AI Player
by Shlomo Dubnov

CRCA/Music
University of California, San Diego

We describe a method for play design based on abstract principles of sequence editing, pattern matching and player interaction. The actions of the players consist of improvisations on a template sequence according to notions of anticipation, familiarity and emotion. Sequence learning is achieved using Factor Oracle automation that is extended to allow sequence improvisation and analysis. Since no domain- or mediaspecific knowledge are encoded into the system, the method allows experimenting with generative procedures for creating new content from examples in a variety of time-based or sequentially represented media. Keywords: Emotion, Finite-state machine, Scripting

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