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2007

Seven Years with the Traces Vision System
Simon Penny, UC Irvine

2005

Remixing and Remixability
Lev Manovich, UC San Diego
Abstract Play: Emotional Sequence Analysis and Improvisation by AI Player
Shlomo Dubnov, UC San Diego

2004

A System of Formal Notation for Scoring Works of Digital and Variable Media Art
Richard Rinehart, UC Berkeley
Palmistry
Patrick Deegan, UC San Diego

2003

Emergent Authorship
Celia Pearce, UC Irvine
The Digital We
Greg Niemeyer, UC Berkeley
Composing for atoms
Bob L. Sturm, UC Santa Barbara
Ghost Values
Fox Harrell, UC San Diego

Composing for an ensemble of atoms: the metamorphosis of scientific experiment into music
by Bob L. Sturm

Graduate student at the University of California, Santa Barbara
http://www.mat.ucsb.edu/~b.sturm
http://www.composerscientist.com
http://www.mp3.com/BobLSturm

Physics and music may seem a bit mutually exclusive at first. In physics the scientist wishes to describe physical phenomena using mathematics and the calculus. In music the artist wishes to create other worlds using physical phenomena and an abstract system of notation and performance. For Bob the two subjects are united by the sole attribute that they are ultimately abstract: music and physics use notations that are completely separated from the end result, although physics describes, and music creates.

Composing for an ensemble of atoms: PDF document
This paper was presented at UCDARNet's Reality Zone [1] Conference.